Bs Aires, Argentin
La Transformación de los PájarosWhat do you find in your photography?
First and foremost, I convey my intimacy. So it’s a perspective on things that are free. There is no intentionality or specific message, although there are projects in my life that are, for example, political. Also, what is important to me is to restore detail. But I don’t like to carry a specific narrative; even my most political photographs speak from intimacy.
Photography is my perspective, the everyday way I have to approach things. It is my way of denouncing the rush in its entirety, of ignoring some part of reality.
How does the symbology of your photography represent youth?
The first thing I associate with youth is primarily understanding. I've noticed that the subjects I adore the most are children. There are a lot of photos of children and also old women, which is very amusing because they represent two resurging states. So, I thought about youth and tried to create a mix of what that movement represents to me. I'm fascinated by the idea of freedom as a symbolic animal. Similarly, when portraying children, in that freedom I also find incomprehension. I also believe there are places that resonate with youth for me, like Sicily, although I associate it more with a process of conflict.
Thus, in representing youth, the composition was also a way to express photographs that speak of different phases. Not as if it were a concept, but also as something much more intimate that changes over time.
How is the relationship between yourself and being an artist?
Do you feel that to be an artist you need to be vulnerable?
There is something in photography about the relationship between your being and being an artist. There is an element of vulnerability, but not in the sense of the rhetoric that implies a need to portray trauma or needing to be vulnerable to tell something. It depends on where the focus is placed at the moment. I know that a part of me is deeply vulnerable, but honestly, my perspective in photography becomes sensitive to the subjects that relate to me. The position of the person taking the photograph is almost never as vulnerable as the one being portrayed. I do not feel inclined to show emotion or pretend that I can show it.
How would you create a community of artists?
I believe that although globalization has its negative aspects, we are also connected in an incredible way. The digital space, for me, is something generative. Especially at an artistic level, in everything related to the community, it is very important.
However, in some places, there is elitism and institutionalized academic ignorance in the realm of art, particularly in Italy. That's why access can sometimes be difficult. For me, creating a community means being open, being able to create a space without hierarchies, and starting to value differences within the same contexts. It means being able to create a shared horizontal process where convergence is possible.
Creating spaces to exhibit what unites us
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