A project that tells a story, abstract in some sense if you will. In these photos, I seek to depict those moments and spaces where a young person grows, develops, connects, lives. They are summaries of my life, through my eyes.
Buenos Aires, Argentina
How did you start with photography?
I've always loved the concept of composition. Composition is a super key pillar in everything that is audiovisual.
I started studying photography as a profession during the pandemic through a course, although not doing it in person means that the interaction and the workshop space are largely lost. Later, I took another in-person course and completely fell in love with it. There's also something that I love about studying photography: it's an area where the technical blends with the sentimental and sensory. From a technical element, an art is born that comes completely from the human eye.
What do you seek to portray in your projects?
What I seek to convey is what I feel. My stories, stories of others, generate a feeling from the production. My works are always affiliated with some type of emotion. I feel it's a channeling space, where there's a need to express one's own feelings, and sometimes it's good to play with the artist's power and enhance emotions when composing. In my photography, you'll find a lot of my words and thoughts. I always seek for the photos to convey something. The camera wears out with each click, so it's like an analogy of not wanting to take a photo without having a clear objective of what I want to show.
In your project "Spazio per Crescere" you talk about a story that involves youth as a space of growth. How do you experience youth or how do you convey it through your artistic vision?
The proposal caught my attention a lot. Since everything comes from me and my eye, my photography is influenced by my emotions. Nowadays, my emotions align with being young. Everything I feel is what it means to be a 20-year-old woman in today's context, and in this particular collection, I sought to gather the photographs that most conveyed the emotion of youth. Some are longing, paralysis, beauty, love, contemplation. I strive to convey what I feel because it's a total release for me.
For me, youth is a whirlwind of very raw emotions. Not in a negative sense, but they are very vivid; every emotion one might have is very intense.
Do you feel you learn through your perspective?
Yes, I feel it helps me with self-knowledge. I believe one completes the catharsis when they learn something. When you take something away from the whole process, which can be done in the way we want. I always feel like I try to give closure to all my projects, enjoy the process without thinking about the end, and from the end see what comes out. From that outcome, I take it and create a closure that conveys what I feel and arises as a reflection of what life is.
How would you like the public to see your work?
If I can transmit something, I would feel accomplished. With photography, I found a close connection with my emotions. If my work reaches someone, I am completely satisfied.
Who or what inspires you?
I draw inspiration from absolutely everything, but I limit myself to choosing three women. First, my mom, with whom I constantly learn. Then, Mariana Enriquez, everything she writes is very visual, and it's this situation where art becomes a medium to express.
And lastly, I chose an Iranian journalist, Newsha Tavakolian. She is a photographer who conveys everything she lives and narrates, in a way, a more beautiful and romantic view of everyone's experiences.
And lastly, I chose an Iranian journalist, Newsha Tavakolian. She is a photographer who conveys everything she lives and narrates, in a way, a more beautiful and romantic view of everyone's experiences.
How do you navigate being an emerging artist in the country/city where you live?
I am fortunate to be in a context that serves as a support. I have strong camaraderie with my cultural circle, despite the fact that the art scene in the country is very distressing. I believe we are at a moment where we need to reactivate and promote culture from wherever we can and create it together.
Culture is sovereignty; having culture is being sovereign, and it’s a reality that is super important. Not just because I enjoy it, but also because there are many people who consume it. Argentina is a country with a lot of culture, and we need to value it without taking it for granted.
In relation to spaces, although some are more closed, there are many that give access to artists' search and community building, enabling expression and communication. In a community, there is always something that unites. Fortunately, today with globalization, we can connect with other countries and cultures and create spaces that exceed physical presence and enable these connections.
We also need to be open to rejection, daring to send something knowing there’s a chance we might be told no, and being okay with that idea.
Culture is sovereignty; having culture is being sovereign, and it’s a reality that is super important. Not just because I enjoy it, but also because there are many people who consume it. Argentina is a country with a lot of culture, and we need to value it without taking it for granted.
In relation to spaces, although some are more closed, there are many that give access to artists' search and community building, enabling expression and communication. In a community, there is always something that unites. Fortunately, today with globalization, we can connect with other countries and cultures and create spaces that exceed physical presence and enable these connections.
We also need to be open to rejection, daring to send something knowing there’s a chance we might be told no, and being okay with that idea.
Creating spaces to exhibit what unites us
Current exhibit.
Archive
Gallery
All Rights Belong to Respective Owners; Otherwise © 2026 Archivium. / Todos los derechos pertenecen a sus respectivos propietarios; en caso contrario © 2026 Archivium.